{"id":2248,"date":"2021-05-30T15:33:56","date_gmt":"2021-05-30T12:33:56","guid":{"rendered":"https:\/\/irenelcisoy.com.tr\/?p=2248"},"modified":"2021-05-31T22:46:49","modified_gmt":"2021-05-31T19:46:49","slug":"tabiatin-tasarimindan-gelen-ilham-organik-mimari","status":"publish","type":"post","link":"https:\/\/irenelcisoy.com.tr\/index.php\/2021\/05\/30\/tabiatin-tasarimindan-gelen-ilham-organik-mimari\/","title":{"rendered":"Tabiat\u0131n Tasar\u0131m\u0131ndan Gelen \u0130lham; ORGAN\u0130K M\u0130MAR\u0130"},"content":{"rendered":"\n<p>\u0130nsan eliyle in\u015fa edilen t\u00fcm yap\u0131lar\u0131n do\u011faya ait olan ahenk ve dengeyi yakalayabilmesidir; organik mimari. En basit tabiriyle nefes alan tasar\u0131mlar ortaya \u00e7\u0131karabilmektir. \u0130n\u015fa edilecek olan yap\u0131n\u0131n, do\u011fal zemine ve \u00e7evre ko\u015fullar\u0131na uygun olarak \u00fcretilmesidir.<\/p>\n\n\n\n<p>Organik mimari anlay\u0131\u015f\u0131nda; yap\u0131lar \u00e7evreyi de\u011fil, do\u011fal ko\u015fullar yap\u0131lar\u0131 y\u00f6nlendirir. Topra\u011f\u0131n verimli olan k\u0131sm\u0131na sayg\u0131 duymay\u0131, do\u011fan\u0131n sa\u011flad\u0131\u011f\u0131 enerji kaynaklar\u0131n\u0131 ak\u0131ll\u0131ca kullanmay\u0131 ve bi\u00e7im dayatmas\u0131ndan ka\u00e7\u0131nmay\u0131 \u00f6ng\u00f6r\u00fcr. \u00c7\u00fcnk\u00fc do\u011fan\u0131n kendi i\u00e7indeki dengesine ters d\u00fc\u015fen her \u015fey canl\u0131l\u0131\u011f\u0131n sonunu getirecektir. As\u0131l felsefesi; evreni \u00f6rnek al\u0131p ona benzemeye \u00e7al\u0131\u015fmak ve evrenle uyum halinde olmakt\u0131r.<\/p>\n\n\n\n<p><strong>Nefes Alan Mimari<\/strong><\/p>\n\n\n\n<p>M\u00fckemmel kavram\u0131n\u0131n yan\u0131t\u0131, evrendeki m\u00fckemmel dengedir. Evet, do\u011fa kendi i\u00e7inde sars\u0131lmaz bir dengeye sahiptir. G\u00fcne\u015fin yayd\u0131\u011f\u0131 s\u0131cakl\u0131k y\u00fcz\u00fcnden buharla\u015fan su, buluta d\u00f6n\u00fc\u015f\u00fcp yeniden topra\u011fa kavu\u015fur. Bitkileri t\u00fcketen bir hayvan\u0131n d\u0131\u015fk\u0131s\u0131, b\u00f6cekler taraf\u0131ndan i\u015flenir ve topraktaki minerallerle b\u00fct\u00fcnle\u015fen d\u0131\u015fk\u0131dan yeni bitkiler olu\u015fur. Yani do\u011fada kay\u0131p diye bir \u015fey yoktur. Bir \u015fey hep ba\u015fka bir \u015feye d\u00f6n\u00fc\u015ferek kendi d\u00f6ng\u00fcs\u00fcn\u00fc tamamlar. M\u00fckemmellik de bu denge halinde gizlidir. Sorumsuzca t\u00fcm kaynaklar\u0131n\u0131 kullanarak yok etti\u011fimiz d\u00fcnyada biriken insan yap\u0131m\u0131 at\u0131klar\u0131n do\u011faya geri d\u00f6n\u00fc\u015ft\u00fcr\u00fclme \u00e7abalar\u0131n\u0131n hayati \u00f6nem ta\u015f\u0131d\u0131\u011f\u0131 bir y\u00fczy\u0131lda ya\u015f\u0131yoruz. Do\u011fan\u0131n d\u00f6ng\u00fcs\u00fcne ayk\u0131r\u0131 olan her hareket canl\u0131l\u0131k kavram\u0131yla ters d\u00fc\u015fer. \u0130nsan\u0131n kendi i\u00e7 d\u00fcnyas\u0131na indi\u011finde de \u00f6rnek almas\u0131 gereken, par\u00e7as\u0131 oldu\u011fu do\u011fadan ba\u015fka bir \u015fey de\u011fildir.<\/p>\n\n\n\n<p><strong>Do\u011fayla \u00d6zde\u015f Tasar\u0131mlar<\/strong><\/p>\n\n\n\n<p>\u0130ren El\u00e7isoy Mimarl\u0131k; mimarinin sadece insana bar\u0131nma sa\u011flayan yap\u0131 formlar\u0131ndan olu\u015fmad\u0131\u011f\u0131n\u0131, insan\u0131n bedensel ve ruhsal sa\u011fl\u0131\u011f\u0131n\u0131 belirleyen ve do\u011fayla bar\u0131\u015f i\u00e7inde s\u00fcrd\u00fcr\u00fclmesi gereken bir meslek dal\u0131 oldu\u011funu savunur. Tasar\u0131mlar\u0131n\u0131n \u00f6z\u00fcnde, do\u011fay\u0131 \u00f6rnek alan ve do\u011fayla harmonik bir uyum yakalayan alt\u0131n oran mevcuttur. S\u0131n\u0131rl\u0131 enerji kaynaklar\u0131 y\u00fcz\u00fcnden do\u011fayla sava\u015fmay\u0131 ve geri d\u00f6n\u00fc\u015f\u00fcm\u00fc \u00e7ok zor olan at\u0131klar\u0131 \u00e7evreye b\u0131rakmay\u0131 reddeder. Do\u011fada mevcut olan ve asla t\u00fckenmeyen enerjileri mimari yap\u0131lara uyarlayarak hem yap\u0131n\u0131n \u00f6mr\u00fcn\u00fc uzatmay\u0131 hem de do\u011fayla \u00f6zde\u015f formlar olu\u015fturmay\u0131 benimser.<\/p>\n\n\n\n<p><strong>Yok Olmayan Enerji Prensibi<\/strong><\/p>\n\n\n\n<p>Organik mimari terimini ilk kez ortaya atan ve yirminci y\u00fczy\u0131l\u0131n \u00f6nde gelen mimarlar\u0131ndan olan Frank Lloyd Wright, Louis Sullivan\u2019\u0131n \u00f6ne s\u00fcrd\u00fc\u011f\u00fc; \u2018\u2019Form i\u015flevi takip eder.\u2019\u2019 S\u00f6ylemini; \u2018\u2019Form ve i\u015flev birdir.\u201d olarak de\u011fi\u015ftirir. \u00c7\u00fcnk\u00fc organik mimaride kullan\u0131lan malzemenin do\u011fas\u0131 ve do\u011fayla uyumu birinci \u00f6nceliktir. B\u00f6lgenin tabiat\u0131 ve \u015fartlar\u0131n izin verdi\u011fi \u00f6l\u00e7\u00fcler esas al\u0131n\u0131r. R\u00fczg\u00e2rl\u0131 bir b\u00f6lgede in\u015fa edilen ve r\u00fczg\u00e2r\u0131n sa\u011flad\u0131\u011f\u0131 enerjiyi do\u011fru kullanarak r\u00fczg\u00e2r bacalar\u0131yla \u0131s\u0131tma sa\u011flanan evler bunun bir \u00f6rne\u011fidir. Ya da topra\u011f\u0131n killi yap\u0131s\u0131n\u0131 ayr\u0131\u015ft\u0131rmak yerine yap\u0131n\u0131n dayan\u0131kl\u0131l\u0131\u011f\u0131n\u0131 artt\u0131rmak i\u00e7in kullan\u0131ld\u0131\u011f\u0131 geleneksel yap\u0131lar da organik mimari \u00f6rneklerindendir. Organik mimariyle do\u011fan\u0131n sa\u011flad\u0131\u011f\u0131 enerji, yap\u0131 formunun hizmetine a\u00e7\u0131lmaktad\u0131r.<\/p>\n\n\n\n<p><strong>Do\u011fan\u0131n Deste\u011fiyle\u2026<\/strong><\/p>\n\n\n\n<p>Yap\u0131n\u0131n insana sa\u011flad\u0131\u011f\u0131 as\u0131l konfor; teknolojik nimetler ya da sundu\u011fu farkl\u0131l\u0131klar de\u011fildir. Kendi kendini besleyen ve kendi enerjisini \u00fcreten yap\u0131lar, insan i\u00e7in en b\u00fcy\u00fck l\u00fcks ve konforu da beraberinde getirir. Paral\u0131 ve s\u0131n\u0131rl\u0131 enerji kaynaklar\u0131n\u0131 azaltmak ve malzemenin do\u011fadan destek alarak y\u0131llarca ayakta durmas\u0131n\u0131 sa\u011flamak gereklidir. Do\u011fayla sava\u015fmak yerine onun bir par\u00e7as\u0131 oldu\u011fumuzu kabullenerek yarat\u0131c\u0131 tasar\u0131mlar \u00fcreten \u0130ren El\u00e7isoy Mimarl\u0131k; modernizmin do\u011fal olana d\u00f6n\u00fc\u015f yapmak ve geli\u015fim bilincinin d\u00fcnyaya sayg\u0131 duymak oldu\u011funu vurgulamaktad\u0131r.<\/p>\n\n\n\n<p>\u2018\u2019Organik mimari ile \u00f6zde\u015fle\u015fen mimarlar; John Lautner, Imre Makovecz, Hans Scharoun, Gustav Stickley, Louis Sullivan, Rudolf Steiner, Ivan Taslimson, Frank Lloyd Wright, Bruno Zevi, Anton Alberts, Laurie Baker, Claude Bragdon, Nari Gandhi, Antoni Gaudi, Bruce Goff, Neville Gruzman, Hugo H\u00e4ring, Hundertwasser, Kendrick Bangs Kellogg.\u2019\u2019<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u0130nsan eliyle in\u015fa edilen t\u00fcm yap\u0131lar\u0131n do\u011faya ait olan ahenk ve dengeyi yakalayabilmesidir; organik mimari. En basit tabiriyle nefes alan tasar\u0131mlar ortaya \u00e7\u0131karabilmektir. \u0130n\u015fa edilecek olan yap\u0131n\u0131n, do\u011fal zemine ve \u00e7evre ko\u015fullar\u0131na uygun olarak \u00fcretilmesidir. Organik mimari anlay\u0131\u015f\u0131nda; yap\u0131lar \u00e7evreyi de\u011fil, do\u011fal ko\u015fullar yap\u0131lar\u0131 y\u00f6nlendirir. Topra\u011f\u0131n verimli olan k\u0131sm\u0131na sayg\u0131 duymay\u0131, do\u011fan\u0131n sa\u011flad\u0131\u011f\u0131 enerji kaynaklar\u0131n\u0131 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2243,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[20,21],"class_list":["post-2248","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-architecture","tag-mimarlik","tag-mimarlik-nedir"],"aioseo_notices":[],"lang":"tr","translations":{"tr":2248,"en":2608},"pll_sync_post":[],"_links":{"self":[{"href":"https:\/\/irenelcisoy.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/2248","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/irenelcisoy.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/irenelcisoy.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/irenelcisoy.com.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/irenelcisoy.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=2248"}],"version-history":[{"count":1,"href":"https:\/\/irenelcisoy.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/2248\/revisions"}],"predecessor-version":[{"id":2250,"href":"https:\/\/irenelcisoy.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/2248\/revisions\/2250"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/irenelcisoy.com.tr\/index.php\/wp-json\/wp\/v2\/media\/2243"}],"wp:attachment":[{"href":"https:\/\/irenelcisoy.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=2248"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/irenelcisoy.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=2248"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/irenelcisoy.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=2248"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}