{"id":191,"date":"2021-04-09T15:19:00","date_gmt":"2021-04-09T12:19:00","guid":{"rendered":"http:\/\/interioexport.azelab.com\/?p=191"},"modified":"2021-04-10T23:22:00","modified_gmt":"2021-04-10T20:22:00","slug":"mimarlik-nedir","status":"publish","type":"post","link":"https:\/\/irenelcisoy.com.tr\/index.php\/2021\/04\/09\/mimarlik-nedir\/","title":{"rendered":"Mimarl\u0131k Nedir?"},"content":{"rendered":"<p><strong>Bilgi, Hayal g\u00fcc\u00fc ve Vizyon \u00dc\u00e7lemesinden Do\u011fan Bir Meslek; Mimarl\u0131k\u2026<\/strong><\/p>\n<p>\u00d6znesi insan ve tabiat olan bir mesle\u011fin amac\u0131, sadece yap\u0131lar tasarlamak de\u011fil, t\u00fcm veriler do\u011frultusunda; ya\u015fam tasarlamakt\u0131r. \u00dcnl\u00fc mimar Charles Walker\u2019\u0131n da s\u00f6ylemiyle mimarl\u0131k; \u2018\u2019Olas\u0131 gelecekler yaratabilmektir.\u2019\u2019 Alt\u0131n oran olarak da bilinen matematiksel simetriyi ilkeler do\u011frultusunda olu\u015fan yap\u0131lara uyarlayarak, sanatla b\u00fct\u00fcnle\u015ftirmesidir mimarl\u0131k.<\/p>\n<p>Sahip oldu\u011fumuz t\u00fcm kaynaklar\u0131 en verimli \u015fekilde kullanmay\u0131 ve d\u00fcnyay\u0131 buldu\u011fumuzdan daha g\u00fczel bir yer olarak b\u0131rakmay\u0131 ama\u00e7lar. S\u00fcre\u00e7 i\u00e7erisinde belli kal\u0131plara oturtulmu\u015f ve asla de\u011fi\u015fmeyecek kurallar\u0131 yoktur. Geli\u015fim ve d\u00f6n\u00fc\u015f\u00fcm\u00fcn sanatsal dehayla birle\u015fmesi ve hi\u00e7 bitmeyen yenili\u011fin ya\u015fam alanlar\u0131nda a\u00e7\u0131k\u00e7a g\u00f6zlenmesidir. Barcelona\u2019n\u0131n simgesi haline gelen, eserlerinin bir\u00e7o\u011fu UNESCO taraf\u0131ndan \u2018D\u00fcnya Miras\u0131 Listesi\u2019ne d\u00e2hil edilen, Sagrada Familia, Park Guell ve Casa Mila gibi e\u015fsiz yap\u0131lar\u0131n mimar\u0131 olan Antoni Gaudi\u2019yi ke\u015ffeden hocas\u0131; \u2018\u2019Ya bir dahi ke\u015ffettim ya da bir deli.\u2019\u2019 demi\u015ftir. Mimari dehan\u0131n delili\u011fe yak\u0131n bir \u00e7izgide ilerledi\u011fi yads\u0131namaz bir ger\u00e7ektir. \u0130nsanlar\u0131n g\u00f6rmeden anlamland\u0131ramayaca\u011f\u0131 yap\u0131lar\u0131 hayalinde \u00e7izerek bitirmek, g\u00f6r\u00fclmeyeni bilmek, gelece\u011fi g\u00f6rmek ve \u00fc\u00e7 boyutlu d\u00fc\u015f\u00fcnebilmek demektir mimarl\u0131k.<\/p>\n<p><strong>Mimar Kimdir?<\/strong><\/p>\n<p>G\u00f6rebildi\u011fimiz t\u00fcm yap\u0131 \u00e7e\u015fitleri; konutlar, okullar, ofisler, ma\u011fazalar, m\u00fczeler, saraylar, kamu binalar\u0131, otob\u00fcs duraklar\u0131, metro istasyonlar\u0131, meydanlar, parklar, sokaklar, sokaklar\u0131 \u00e7evreleyen ye\u015fil alanlar, kald\u0131r\u0131mlar, park yerleri ve akl\u0131n\u0131za gelebilecek t\u00fcm ya\u015famsal alanlar\u0131 tasarlayan, tarih ve \u00e7evre ili\u015fkisine h\u00e2kim ki\u015filerdir mimarlar.<\/p>\n<p>Mimar, sadece insan\u0131 de\u011fil t\u00fcm canl\u0131lar\u0131, \u00e7evreyi, iklimi ve ihtiya\u00e7lar\u0131 g\u00f6zeterek sanat in\u015fa eder. Var olan\u0131 g\u00fczelle\u015ftirmek, imk\u00e2nlar\u0131 inove etmek ve estetik de\u011ferler yaratabilmeyi hedefler.\u00a0<strong>Peki Kimler Mimar De\u011fildir?\u00a0<\/strong>dersek:\u0130\u00e7 mimar, mimar de\u011fildir; i\u00e7 mimard\u0131r. Peyzaj mimar\u0131, mimar de\u011fildir; peyzaj mimar\u0131d\u0131r. \u0130\u00e7 mimar, mimar\u0131n tasar\u0131m\u0131nda olu\u015fan i\u00e7 mekanlar\u0131n dekorasyonunu yapan ki\u015fidir. Peyzaj mimar\u0131, yine mimar\u0131n yapt\u0131\u011f\u0131 mekanlar\u0131n peyzaj d\u00fczenlemesinde uzmanla\u015fm\u0131\u015f ki\u015fidir. Yani mimar; statik, mekanik, elektrik, i\u00e7 mimari, peyzaj, kentsel tasar\u0131m gibi disiplinlerle ba\u011flant\u0131l\u0131 olarak \u00e7al\u0131\u015fan tak\u0131m kaptan\u0131d\u0131r.<\/p>\n<p><strong>\u201cBiz binalar\u0131m\u0131z\u0131 bi\u00e7imlendiririz sonra da onlar bizi bi\u00e7imlendirir.\u2019\u2019\u00a0<\/strong>Sir William Churchill<\/p>\n<p>Tarihin bilinen ilk mimar\u0131 olarak kabul edilen, Romal\u0131 mimar Vitruvius, g\u00fcn\u00fcm\u00fcz mimarisine bile \u0131\u015f\u0131k tutan \u201cDe Architectura\u201d adl\u0131 kitab\u0131nda, mimari ba\u015far\u0131n\u0131n \u00fc\u00e7 \u015fart\u0131n\u0131; \u201cUtilitas, Firmitas, Venustas\u201d (kullan\u0131\u015fl\u0131l\u0131k, sa\u011flaml\u0131k, g\u00fczellik) olarak belirtmi\u015ftir. Vitruvius\u2019un \u00fc\u00e7lemesi ve mimari sanat\u0131na ili\u015fkin tespitleri halen ge\u00e7erli olsa da, her yeni y\u00fczy\u0131lla birlikte de\u011fi\u015fen ve s\u00fcrd\u00fcr\u00fclebilir olmak ad\u0131na derin bir d\u00f6n\u00fc\u015f\u00fcme giren mimarl\u0131\u011f\u0131n g\u00f6rev tan\u0131mlar\u0131 \u00e7o\u011falm\u0131\u015f ve sorumluluklar\u0131 farkl\u0131la\u015fm\u0131\u015ft\u0131r. Bu y\u00fczden g\u00fcn\u00fcm\u00fcz mimarisini salt bi\u00e7imle ifade etmek m\u00fcmk\u00fcn de\u011fildir. Mimarl\u0131k da bi\u00e7imden ibaret bir meslek gibi benimsenmemelidir. Toplumsal kayg\u0131lar\u0131 \u00fcstlenme, s\u00fcrd\u00fcr\u00fclebilirlik, kimlik kazand\u0131rma, yarat\u0131c\u0131 bir mimarl\u0131k dili, \u00e7evre dostu olma, estetik de\u011ferlere h\u00e2kimiyet, str\u00fckt\u00fcr, ekonomik \u00e7\u00f6z\u00fcmlemeler, kaliteyi i\u015flevsel hale getirme, yap\u0131 fizi\u011finde uzmanl\u0131k, g\u00fcvenli\u011fi ilk s\u0131raya oturtma, \u00e7evrebilim ve otomasyon gibi alanlara ili\u015fkin sorumluluklar da g\u00fcn\u00fcm\u00fcz mimarlar\u0131n\u0131n meslek tan\u0131m\u0131na d\u00e2hildir.<\/p>\n<p><strong>Sevgilerle<\/strong><br \/>\n<strong>\u0130ren EL\u00c7\u0130SOY<\/strong><br \/>\n<strong>Mimar<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00d6znesi insan ve tabiat olan bir mesle\u011fin amac\u0131, sadece yap\u0131lar tasarlamak de\u011fil, t\u00fcm veriler do\u011frultusunda; ya\u015fam tasarlamakt\u0131r. \u00dcnl\u00fc mimar Charles Walker\u2019\u0131n da s\u00f6ylemiyle mimarl\u0131k; \u2018\u2019Olas\u0131 gelecekler yaratabilmektir.\u2019\u2019 <\/p>\n","protected":false},"author":1,"featured_media":1785,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[20,21],"class_list":["post-191","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-architecture","tag-mimarlik","tag-mimarlik-nedir"],"aioseo_notices":[],"lang":"tr","translations":{"tr":191,"en":2618},"pll_sync_post":[],"_links":{"self":[{"href":"https:\/\/irenelcisoy.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/191","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/irenelcisoy.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/irenelcisoy.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/irenelcisoy.com.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/irenelcisoy.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=191"}],"version-history":[{"count":1,"href":"https:\/\/irenelcisoy.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/191\/revisions"}],"predecessor-version":[{"id":1786,"href":"https:\/\/irenelcisoy.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/191\/revisions\/1786"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/irenelcisoy.com.tr\/index.php\/wp-json\/wp\/v2\/media\/1785"}],"wp:attachment":[{"href":"https:\/\/irenelcisoy.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=191"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/irenelcisoy.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=191"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/irenelcisoy.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=191"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}